The Lair (2022) Full Movie | M-Cinema24


When Royal Air Force pilot Lt. Kate Sinclair is shot down over Afghanistan, she finds refuge in an abandoned underground bunker where deadly man-made biological weapons - half human, half alien - are awakened.

Well, Neil Marshall tried his best.
But by his high standards, I think he would want to forget he directed this film. Having seen his The Descent(2005) and the rave reviews it got, I was excited to see this new offering. But Neil Marshall himself payed homage to movies like Alien, Aliens and Resident Evil in this one. The music is also derived from these. I was chuckling as I heard those familiar tunes from movies seen ages ago...

This movie is about a crash landed Royal Air Force pilot Lt. Kate Sinclair(Charlotte Kirk), who steps into an underground facility when she is ambushed by rebels defending the area. Inside the underground facility she discovers the terrifying truth about a secret government experiment gone wrong. Afterward when she is rescued by an American task force she warns them about what she had seen but by then it is too late... Watch the film to see what happens next.

Only fans of Neil Marshall movies should see this. Other than that there is nothing worth mentioning about this one. Charlotte Kirk produced this film as well so I'm mystified as to how much was invested into the special-effects department. Obviously nothing went right for Neil. On top of this some lousy acting to boot from all involved. I won't be surprised if this movie ends up in public domain, free for all to watch. It's that bad.

Fans of B-movies, rubber monsters, and back issues of Weird War Tales will want to check out “The Lair,” a good-enough horror/action hybrid that sics a ravenous monster on a group of British and American soldiers stationed in modern-day Afghanistan.

“The Lair” checks off some genre fans’ qualitative boxes, thanks in part to co-writer/director Neil Marshall’s knack for top-this violence, post-spaghetti-western war movie repartee, and general eye for action filmmaking, from choreography to mood lighting. There’s also some tinny dialogue and wooden performances throughout, and some creaky scenes featuring an indistinct group of hostile Afghani soldiers. Thankfully, what Marshall (“The Descent,” “The Reckoning”) and his co-writer/star/wife Charlotte Kirk get right here matters more than what they don’t, especially with regard to one surprisingly compelling supporting performance.

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